BLEEP BLOOP BANDCAMP HOW TO
BLEEP BLOOP BANDCAMP SERIES

BLEEP BLOOP BANDCAMP SERIES

or the fibonnaci series (that is closely related). for timing i found the old 'golden section' works well. once you have a nice collection of those you can start putting things together. you don't need any recognisable structure or parts that repeat. Obviously this makes it hard to built larger structures. that's why it's called experimental: there aren't any hard rules. If you want to work with 'pure sounds' you need to find your own logic as to what fits together. whatever noise you make it has some sort of pitch (even things like cymbals) and whenever you have a few 'events' in time there will be a rhythm.īut don't be a slave to 'm: forget all scales, chords and regular beats. I'm wondering how others recording in the same or similar experimental space approach their compositions? Like beginning with a very unique dense texture, then morphing to other unrelated sound collages, eventually returning to the original texture. I have done a couple interesting things with structure and texture to give logic to these bleep & bloop pieces. The pieces I've recorded so far have been basically the bleep & bloop variety.

BLEEP BLOOP BANDCAMP HOW TO

I'm very excited about this new project, but am at a bit of a loss how to get started. Considering the colors I have in my synth palette, the texture possibilities are truly infinite.

In the experimental space, it's not the specific notes but the chosen sound textures that define the piece. In the wide swath cut by rock (whether prog, space, or psych) the focus is on the manipulation of notes, harmony, rhythm, technical ability and song structure. Seems to me the big difference between the other types of music I did previously and this new project has to do with sonic texture. This is not music to connect with other ears, but music to boundlessly explore the depths of my own imagination. I'm calling my new project 'Akhenaten's Skull' and my 'mission statement' is: To create completely self indulgent works with no possible purpose other than to amuse my desire for experimentation and sonic inquiry.

I've read the book 'Experimental and Electronic Music' several times over the years and it's time to start living it! What I want to do now is create music that is synth based with no bounds or expectations. Mission accomplished there.time for something completely new! I've sold a small number of CD's and gotten enough notoriety to satisfy my desire to leave music behind that has become a part of other people's lives. A quick background, I've spent the past 40 years writing/recording songs that mostly live in the generally accepted realm of rock with a focus on 70's prog/space/psychedelic. Closing out the album is the dark, hard-hitting, progressive remix of ‘Show Me’ from Virginia based wunderkind Ethan Glass.Hi all, I've recently added a Prophet 12 to my synth arsenal of Korg MS20-Radias-MS2000R, Roland System 1-m, Motif XF7 & Looperlative 8 channel stereo looper and am ready to tackle a new genre.experimental electronic. A Bay Area rising producer, ONHELL, provides a uniquely spacious remix of ‘Show Me’ that twists and turns entirely. UK-based Etched, a premiere host of Reprezent Radio UK, delivers a fresh future take on the glitchy maelstrom that is Sweatbox. Bleep Bloop, resident producer of the Internet and front man for DJ Shadow’s imprint Liquid Amber, lends his indescribable style to Rhinestone Nightmare. Alongside the 7 original productions, Facing Ghosts presents 4 remixes from some of the most boundary pushing producers on the planet. Painstakingly hand-crafted from start to finish, this album tells the story of the darker side of self exploration.įeatured on the album are collaborations with Rhymesayers Entertainment’s ‘Abstract Rude’ and the Bay Area’s beloved DJ Balance. Always a forward thinking producer, VNDMG creates a lavish musical landscape with haunting atmospherics, experimental broken beats, and progressive melodies which seek to lull you into a spooky state of musical euphoria. An aberration from VNDMG’s signature sound, Facing Ghosts is autobiographical, expressive, and woven together by a thematic approach to sound design.

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